This is a painting that I was requested to paint of two otters. This is the beginnings of the fur texture being put into place with many fine, delicate strokes. (…this is actually one of my favorite parts of a painting – the very beginning and seeing all of the textures begin to develop.) I love to bring out the finest details in the faces of the animals (or focal points of my floral pieces) with the lightest strokes. :D
In miniature painting, some artists use such fine strokes that they are only seen by magnifying glass, while others use more visible strokes in their pieces that are best not viewed under magnification and carry well from a distance, as observed by a Swiss miniature art expert.
What beautiful otters! You’re a very talented artist.
The stroke comment was most interesting! Pete
Thank you, Dawn. The otters themselves are adorable, so it has been a pleasure to paint them. Their expressions are wonderful. I am using multiple otters and arranging them in the piece, so it has been fun to orchestrate the scene. I’m looking forward to painting the whiskers. :D
Thanks for coming by, Pete. Yes. I thought that some people visiting would find that interesting. I have seen statements like it published in several places. Apparently, not every collection of miniature art is meant to be viewed under a magnifying glass.
– Rebecca
Hi Rebecca,
This is so interesting to see how you approach your work. I always love seeing your finished paintings, so it’s a treat to see them in their early stages.
Wishing you a prosperous New Year!
Hi Cindy,
Thanks for stopping by – I’m glad you like what I have posted so far. :D I really love to see other artists’ works, too. It’s so automatic when you do your work for yourself, but it really makes you think differently to see someone else’s. :D
Take care,
Rebecca