Long Hours & Commission for Harvard

Recently, I have had so many kind comments about my work from collectors and web visitors. Thank you all so much! I, like many artists I know, spend long hours in the studio painting, hoping the work will be received well at it’s final exhibition or showing place. I am very appreciative of your supportive words.

I have had a bit more enthusiasm to paint lately – which of course leads to faster results in the studio. :) When surrounded by deadlines, it is not uncommon to paint for 12 to 15 hours per day with a few breaks. This schedule does get to be tiresome after a while. Of course, if the painting is going well, you don’t notice that you’ve been sitting at the easel for 5 hours — except for the fact that one or two limbs have dosed off. I suppose it’s the kind of job that you have to love, which I do deeply. I couldn’t imagine doing anything else. I love being able to speak through my paintings, share the magic I see around me & things that inspire me — hopefully helping others to see those things around them as well, even after I’m gone.

My commissioned artwork for Harvard University is now in it’s final stages of adjustments. I also hope to get to that point with the commission of Samantha, the great horned owl, soon. I have a fair number of commissioned pieces requested over the next year or so. I will be posting the paintings on my studio’s commissions page as I begin the paintings.

Meeting your subject

I am currently working on several commissions for clients. Images and notes about them are listed on my commissions page. Thankfully, they all seem to be going rather well — likely because I am very drawn to the subjects. Swans and owls are some of my favorite birds, as you may have noticed. :)

I find that painting comes much easier when I have “met” or observed the subject closely. It is a bit easier to visualize the animal/subject as three dimensional. After the completion of these commissioned pieces mentioned above, I hope to be able to start on a number of new wildlife paintings in the near future — several birds in particular. I often have so many ideas in my head for new work that it would be impossible to paint them all. Experiencing other areas of the United States and animal or bird species during our travels to exhibitions usually add new ideas for painting as well. For me anyway, I think gathering inspiration for new work is one of the most enjoyable parts of being an artist.