{"id":5029,"date":"2014-01-04T21:12:00","date_gmt":"2014-01-05T03:12:00","guid":{"rendered":"http:\/\/lathamstudios.com\/rebecca\/?p=5029"},"modified":"2014-01-05T00:28:47","modified_gmt":"2014-01-05T06:28:47","slug":"sterling-silver-and-24kt-gold","status":"publish","type":"post","link":"https:\/\/lathamstudios.com\/rebecca\/2014\/01\/sterling-silver-and-24kt-gold\/","title":{"rendered":"Sterling Silver and 24Kt Gold"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>I have had a lot of response come in about the use of 24 karat gold and sterling silver in my work recently.\u00a0\u00a0<\/strong><strong><\/strong><strong>Unfortunately, because of the volume of questions, I have been unable to answer them individually.\u00a0\u00a0 Hopefully this answers any curiosities people may have about the subject.<strong><a href=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5359 aligncenter\" style=\"margin-top: 20px; margin-bottom: 20px;\" title=\"Gold with brush on palette thinned for use.\" alt=\"Gold with brush on palette thinned for use.\" src=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?resize=480%2C480\" width=\"480\" height=\"480\" srcset=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?resize=324%2C324&amp;ssl=1 324w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/strong><\/strong><\/p>\n<p><strong> What do you mean when one of your paintings is labelled &#8220;with <a href=\"https:\/\/lathamstudios.com\/rebecca\/2013\/07\/black-leopard-sterling-silver\/\">sterling silver<\/a> and\/or 24 Kt gold?&#8221;<\/strong><br \/>\nBasically, it is ground sterling silver (or gold) into a fine powder to form a \u2018pigment\u2019. It is then mixed with a binder, gum arabic like usual watercolors are, and dried to form a tablet cake (so technically this would be watercolor).\u00a0 When needed, the tablet is wet to reconstitute the silver paint, and then can be used as paint in art.\u00a0 Used this way it is often called shell gold or shell silver &#8211; when used in earlier times, the metal paint was poured into a small shell to be used as a paint dish, thus the name.<\/p>\n<p><strong>Is this something new?<\/strong><br \/>\nNot really. Pure silver and gold have been used in illuminated manuscript miniatures for centuries. Personally, I find these works of art fascinating, and as such they have found a place of influence on my work. I love the added zest a hint of silver or gold adds to a piece, as well as how it carries on a tradition that has such a rich history.<\/p>\n<p><strong>How long have you been using this in your painting?<\/strong><br \/>\nI started around 2006-2007.\u00a0 It was an experiment in a <a href=\"http:\/\/lathamstudios.com\/rebecca\/2007\/12\/black-leopard-progress\/\">selection of pieces<\/a> at that point after running across many illuminated <strong><\/strong>manuscripts that inspired me.\u00a0 More recently, as I have gotten more familiar with it&#8217;s use, I&#8217;ve included the gold and silver in my work more regularly.<\/p>\n<p><strong><strong><a href=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5358 alignleft\" style=\"margin: 25px;\" title=\"Applying gold to a painting.  Shimmers of silver can be seen at this angle as well in the feathers and eye of the owl.\" alt=\"Applying gold to a painting.  Shimmers of silver can be seen at this angle as well in the feathers and eye of the owl.\" src=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver-530x1024.jpg?resize=382%2C738\" width=\"382\" height=\"738\" srcset=\"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver.jpg?resize=530%2C1024&amp;ssl=1 530w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver.jpg?resize=155%2C300&amp;ssl=1 155w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver.jpg?resize=167%2C324&amp;ssl=1 167w, https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/owl-gold-silver.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><\/a><\/strong><\/strong><strong>How is it used in your painting?<\/strong><br \/>\nI like to be delicate with it. I might accent areas, edges, or glaze &#8211; it truly depends on the work and where I want to lead the observer&#8217;s eye through that particular painting.\u00a0 Sometimes the shimmer is picked up in a scan of the original, sometimes not &#8211; so it may not be visible to those only viewing an image online or in print.\u00a0 As was the case in the miniatures of illuminated manuscripts, if shell gold (or silver for that matter) is overused it could spoil the picture in the final stages, and I find it is the same\u00a0using it with more modern works.<\/p>\n<p><strong>Do you use gold leaf in your paintings too?<\/strong><br \/>\nAt this point I haven&#8217;t. I don&#8217;t rule out the possibility in the future, but for now I am focusing my work on softness and\/or subtle hues for the most part.\u00a0 Being that large areas of gold would have a strong presence in a painting, I have not pursued that medium.<\/p>\n<p><strong>Do you use Silver Point, etc in your work?<\/strong><br \/>\nNo, at this time I have not.\u00a0 I prefer light graphite or drawing with paint.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Some links that may be of interest on the topic:<\/strong><\/p>\n<p><a title=\"http:\/\/history-of-art.blogspot.com\/2005\/09\/technical-problems-of-manuscript.html\" href=\"http:\/\/history-of-art.blogspot.com\/2005\/09\/technical-problems-of-manuscript.html\" target=\"_blank\" rel=\"nofollow\">http:\/\/history-of-art.blogspot.com\/2005\/09\/technical-problems-of-manuscript.html<\/a><\/p>\n<p><a title=\"http:\/\/en.wikipedia.org\/wiki\/Illuminated_manuscript\" href=\"http:\/\/en.wikipedia.org\/wiki\/Illuminated_manuscript\" target=\"_blank\" rel=\"nofollow\">http:\/\/en.wikipedia.org\/wiki\/Illuminated_manuscript<\/a><\/p>\n<p><a title=\"http:\/\/www.illuminatedpage.com\/illustration.html\" href=\"http:\/\/www.illuminatedpage.com\/illustration.html\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.illuminatedpage.com\/illustration.html<\/a><\/p>\n<p><a title=\"http:\/\/www.nga.gov\/content\/ngaweb\/conservation\/paper\/manuscript-project.html\" href=\"http:\/\/www.nga.gov\/content\/ngaweb\/conservation\/paper\/manuscript-project.html\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.nga.gov\/content\/ngaweb\/conservation\/paper\/manuscript-project.html<\/a><\/p>\n<p><a title=\"http:\/\/www.gutenberg.org\/files\/19870\/19870-h\/19870-h.htm\" href=\"http:\/\/www.gutenberg.org\/files\/19870\/19870-h\/19870-h.htm\" target=\"_blank\" rel=\"nofollow\">http:\/\/www.gutenberg.org\/files\/19870\/19870-h\/19870-h.htm<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have had a lot of response come in about the use of 24 karat gold and sterling silver in my work recently.\u00a0\u00a0Unfortunately, because of the volume of questions, I have been unable to answer them individually.\u00a0\u00a0 Hopefully this answers any curiosities people may have about the subject. What do [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5359,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,13],"tags":[1426,1428,1186,684,122,1425,1430,1427,1190,652,1431,1424,277,325,1187,385,1191,1188,403,410,1429,1189,445,448,890,474,1185],"class_list":["post-5029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles-stuff","category-miscellaneous","tag-24-karat","tag-accent","tag-binder","tag-centuries","tag-com","tag-earlier-times","tag-gold-and-silver","tag-gold-leaf","tag-illuminated-manuscript","tag-illuminated-manuscripts","tag-karat-gold","tag-metal-paint","tag-miniatures","tag-painting","tag-rich-history","tag-shell-gold","tag-silver-and-gold","tag-silver-paint","tag-softness","tag-sterling-silver","tag-subtle-hues","tag-tradition","tag-watercolor","tag-watercolors","tag-works-of-art","tag-www","tag-zest"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lathamstudios.com\/rebecca\/wp-content\/uploads\/2014\/01\/shellgold.jpg?fit=600%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/posts\/5029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/comments?post=5029"}],"version-history":[{"count":6,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/posts\/5029\/revisions"}],"predecessor-version":[{"id":5363,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/posts\/5029\/revisions\/5363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/media\/5359"}],"wp:attachment":[{"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/media?parent=5029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/categories?post=5029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lathamstudios.com\/rebecca\/wp-json\/wp\/v2\/tags?post=5029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}