As the other miniature paintings that are painted in a larger size, hand held miniatures must be painted ‘in miniature’, stated simply, they must be detailed. Early manuals from the 1600’s for painting miniature artists described it as delicate strokes. Often, the miniature artist uses the classic techniques of fine stipples, hatching, and glazing of color to produce their glowing jewel-like works of art.
The hand-held miniature, as one would expect from the name, fits in your hand with no specific measurements defining it. Often these small paintings were and are very precious and intimate pieces of art that are treasured for generations. Many small portraits of loved ones were painted this size, some of which were worn on the person set into jewels and gold.
3. Paintings Telling a Story
The finest hand held miniature paintings convey a story. Just as the original miniatures that described what was written in early illuminated manuscripts, fine miniatures today tell a story and draw the viewer into the painting.
As with the originations to the manuscript or book, which of course must have the ability to be closed and placed on a shelf, miniature paintings have minimal surface texture.
5. Portability
The hand held miniature, as all miniature paintings painted large or small, must be portable. Original hand held miniatures were original works of art that were cut out of manuscripts so that they could be carried more easily.
6. Composition and Design
As all exquisite works of art, hand held miniatures must have good composition leading the eye through the painting. Great care is taken by miniature artists today and of early miniature painting, to create a beautiful design and arrangement. It is especially important in a hand held miniature because of its small size.
(Many thanks to Joan Willies, RMS)